Have You Scene It?

sceneToday we’re going to talk about scenes. This is part of the writing series I mentioned about writing styles and helpful tips. Remember these are merely guidelines and may or may not work for you.

As writers, we must each fine what clicks for us. Hopefully you can use some of the information listed to help you build memorable scenes that propel your story along.

A scene has often been defined as “a single action or a series of connected actions taking place in a single setting in a finite period of time.” That boils down to; if you change the setting from the bathroom to the character being in his/her office or outdoors, etc., that’s a scene change.

We write scenes to propel the novel or story. The scenes are where the characters act, just like in play. The difference is you have to create the visualazations in the readers mind. That action drives the drama; scenes are the elements of drama. Scenes are structural building blocks. You can’t build a home with a structure nor can you build a book (or story) with scenes.

Scenes are used to control turning points in the story. They contain the twists, turns, hints and suggestions that keeps the story moving.

One of the best ways to learn about scenes is, of course, to read fiction. If the writer’s scenes aren’t popping out at you try studying one of your favorite novels. Most of us have at least one novel we’ve read more than once and wouldn’t mind reading again. Use that one! Use it as a study guide! Note how the writer uses scenes in the book.

The Construction of a Scene

Beginning: This is where you set the stage, introduce the characters involved, set the tone and rhthym.

Middle: This is where the action takes place. Characters have conflict, the drama unfolds, secrets are revealed, questions are answered or more questions are raised, more secrets begin to appear.

End: This is where the scene closes. This often leaves the reader hanging and propels them to keep reading. The characters or character generally makes some kind of emotional decision. This choice/decision should lead to the next scene and raise more conflict and drama.

Story Board

Some writers use a story board to map out scenes. This method often allows you to write scenes in pieces. Lets say you have 3 scenes* you’re working on. What comes to a close in scene 3 was brought up in scene 1, came to a head in scene 2 and resolved in scene 3. At this point you can create more drama in scene 3, as one thing closes it raises something else. This would carry you through 3 more scenes.

*I’ve used 3 scenes as a guideline for ease of explanation. You can carry a story through as many scenes as you like, but what happens in one scene affects the other scenes and can be written simultaneous if you like. There’s no rule that says you have to write one scene at a time before moving to the next.

Setting the Stage

For some writers it helps to set the stage for a scene. They jot down notes or use an outline. Things you should consider when setting the stage include:

time/place, season, weather, location, mood, sounds, smells, images, surroundings, furniture, etc.

Knowing and describing these things will help give the reader a vivid image of the scene.

Do you have any tips you’d like to share for scene building? We’d love to hear from you!

Write On!
Patti

Writing the Story Before You Write the Story – Back Story & Character Creation

charactersIn writing the story before you write the story we’re going to discuss a method that some writers use to workout their back story and characters.

Back story is, in a sense, the character’s driving force, the motive for why he/she wants something so badly. Back story should be cleverly injected into the story. No one wants to sit and read pages and pages of back story. For this reason, you should give the reader just enough back story throughout the main story to keep them wondering. Sometimes it will spark the readers imagination and sometimes it will be one of those “ah-ha” moments for the reader when something finally clicks in the reader’s mind.

Good back story will build momentum up to the “ah-ha” moment. We do this with subtle little remarks throughout a section of dialog or a chapter that doesn’t seem to quite fit—a quirk of the character maybe, and it should lead up to a grand finale’; the “ah-ha” moment.

To have good back story and to inject it properly into the story you must know your character as well as you know yourself. The character must have a past, just like we all do, the character is no different. The character did not just appear.

Some writers like to use timelines to lay out their character’s life in a linear fashion. Other writers will spend quite a bit of time simply writing back story about their character. If you follow that route, it is likely that none of the material will end up in your story. It’s simply for your use of getting to know your character. However, some small bits or portions of it may be added to the story in subtle ways.

No matter which method you choose to get to know your character, it’s important to know what events brought the character to where he/she is at this moment in time. What drives this character? What trauma has scarred this character? What motivates this character?

There are many events the character has gone through in life; some good, some bad, some horrific. Whatever it is, you, the writer, must know about it, regardless of whether or not the reader does.

Some writers use character journals. They simply keep a journal and write it from the characters point of view. The majority of this material is never written into the main story. It’s simply a way to create and get to know a character.

Other writers do interviews with their characters. They simply sit and write out interview questions to get to know who their character is.

In a way, all of this work with characterization and back story is simply “writing the story before you write the story.”

Our readers would love to hear your opinion or what method you use. Feel free to share in the comments section.

Happy Writing!

Choose Random Prompts to Hone Your Craft

There are writing prompts all over the Internet that you can choose from. I’ve used several of them myself. It recently dawned on me that I always picked prompts that sparked my interest. This is not a bad thing but it really doesn’t force you to exercise a true creative spark.

I’ve recently been picking random writing prompts; I simply close my eyes and point. Whichever prompt my finger lands on is the one I use–even if I don’t like it or think there’s no way I can get into a character or situation like that.

I’ve been quite surprised to discover that this is a very good exercise and you CAN do more than you thought. It’s a very good exercise for working that creative muscle and in a sense forces you to use parts of your brain that may be lying dormant or are just a bit sluggish.

Give it a try and see if it doesn’t help your writing.

Samples from Milli Thornton’s Fear of Writing book:

http://fearofwriting.com/creative-writing-prompts.htm#FMsamples

This is a few of the writing prompts from Milli’s book. If you like these, order the book, you’ll love the rest!

Creative Writing Prompts

http://www.creativewritingprompts.com/

This site is a little different. You mouse over the numbers and the prompt pops up in a small window. Pretty neat!

Writer’s Digest Writing Prompts

http://www.writersdigest.com/WritingPrompts/

Writer’s Digest is probably the leader in the writing world. The magazine is awesome and these prompts are interesting.

Be sure to just randomly pick the prompt and write the first one–whether it appeals to you or not.

It will seem a bit daunting at first, but over time it gets easier.

Quick Tips for Character Building

buildingcharacterStories generally begin with either a plot or a character. Some writers come up with a great plot before they start working on a character. Most writers, however, begin with a character and then follow him/her through the plot. They use a lot of “what if” scenarios. Either way, you can’t have one without the other; building a great, solid character is one of, if not, the most important aspects of a good story.

There are many ways to build characters and each writer develops his/her own style and process for doing so, but if you’re lost in how to develop good characters, these tips will give you a good start.

Remember, good character development takes time and practice.

All stories are based on something the character wants; love, respect, money, career, etc. What the character does or endures, to get what he/she wants, is the plot- the story.

Many novelists create want lists for their characters. Whatever it is the character WANTS creates conflict in the story. Without conflict, there is no story. The character must want something and must face obstacles and adversity to get it.

To start building a character you can begin by answering a few simple (or complex) questions. If you feel completely lost, these questions may seem like they’re complex. Don’t worry, just have fun with it!

  • What does the character want?
  • What drives the character?
  • What stands in the character’s way?
  • What is the character willing to do to get it?
  • How will the character handle the obstacles that keep him/her from their want?

Knowing the answers to these questions is what gives your character motive.

Some writers suggest you start with a name, others suggest you start building the character before giving him/her a name. My advice is to do whatever feels more natural to you. Try it both ways to see which works for you.

Take time each day to do some character work. You may not intend to use them any time soon or you may never use them, but spend time each day just doing some character work.

Fleshing out a Character

All characters need some meat on their bones; otherwise they’re just flat and have no substance to them. You can begin by working on some traits for the character.

Character Traits

  • temperament
  • moral, ethic, religious beliefs
  • hobbies
  • habits
  • quirks
  • likes/dislikes
  • fears/phobias
  • strengths/weaknesses
  • goals, hopes, dreams
  • flaws–all characters must have some flaws too!

Note: Some of these things will never get mentioned in your story, but as the writer you need to know all these little details to create a believable, 3-dimensional character.

Characters also need a past. The past made them who they are today. They must also grow and develop throughout the story. Characters that stay the same through the whole story are boring and no one will like them. These changes should be apparent but subtle enough to be believable. The changes your character goes through must also follow logically with the story.

Not all writers go through characterization the same way. Over time you will develop your own method.

One of the best and most thorough charts I’ve found:

http://www.epiguide.com/ep101/writing/charchart.pdf

The Importance of Good Narrative

writersblockWriting strong narrative is a difficult task even for seasoned writers. They know to use strong verbs and to cut out the clutter and material that isn’t necessary, but do they follow any certain rules for doing this? I’m sure each writer has their own set of guidelines for writing good narrative and you will device your own set of rules as you become more practiced in your craft, but here are a few guidelines to help you get started.

As a writer you already know you’re a storyteller, this is what grabs the reader’s attention and keeps them interested. If you stray from your main storyline too often and too much, you’ll lose the reader. Backstory is important, but it should only be used in small amounts throughout the story.  Never give too much backstory too soon, slip it into your writing in small details.

What’s your story about? Is it about the mountains or the weather? Generally, a good story is about people.  Your character can be an animal and I’ve read many good stories with an animal as the main character. The point is your story isn’t about places or things but about the characters; the people or the animals. Keep your story focused on the characters. When using descriptive narrative about a room, scenery or an object, make sure you write it from the characters point of view. Doing this will ensure that the story is still about the character and their perception.

Use your words to paint pictures. This is often what sets great writers apart from mediocre writers. They’ve learned how to paint images with the use of words so the reader actually “sees” what the writer intended. Show the story through the character’s eyes. Many writers want to go into great detail describing the character or telling about the character. It’s better to give few details about the actual character, but show their world through their eyes and let the reader “discover” who this character is, what makes this character tick. It engages the reader and gives them something to think about. If you lay your character out like spreading mayonnaise on bread, that’s what you’ll  get–a thin character with no substance and a reader that’s gotten up to make a sandwich instead of reading your story.

E.B. White and F. Scott Fitzgerald both used this technique. They described what the character saw more than the character himself/herself, but the reader comes away with a good sense of who that character is.

Use specific details. Readers will remember specific details before they will vague ones. Details lets a reader know the writer did their homework; they took the time to find out the facts instead of making vague guesses or observations about something.

Be consistent with your images. If you’re trying to describe something and relate it to something else, stick with that association; don’t switch to something else to try and give a better description. If you’re describing something like an apple, stick with the apple relation; don’t change it to an orange.

If you read my piece Writer’s Lament, you can get a good idea of how narrative works. It’s a short piece but you can see the writer with vivid images. By describing his surroundings you get a clear picture of a disheveled writer who’s had writer’s block for several weeks, at the expense of personal hygiene. Even though I’ve described the conditions of the room, you learn about him as well.

Don’t Edit Your Work…

before it’s time.

I was just reading some tips on writing about editing your work.  This struck a chord with me because in the past I was extremely guilty of this.  I’m still guilty of this at times, but for the most part I have overcome this hindrance in my writing.  Yes, editing before it’s time is a hindrance to your writing.  You aren’t writing if you’re busy editing.

The tip I was reading simply stated:  Write when it’s time to write, edit when it’s time to edit.

Of course the tip as a whole was setting time aside for your writing and setting time aside to edit when the writing is complete.  For general writing (articles, etc.) I normally write in the mornings.  I then take time away from my writing (the computer) and do other things.  This is also lunch time so I’m known to take advantage of that too.  After lunch, when it’s time to go back to work, is when I do revisions and edits.  If you’re writing a novel or short story–do not edit until it’s complete.  Do not edit chapter one until the final chapter is written.

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Are You Passionate and Excited Enough to Handle Rejection?

So you’ve decided to become a writer.  Welcome to the hardest “easy” job on the planet.  Or you’ve written a book and you’re ready to start submitting your work of art to publishers.  Are you ready for rejection?  It’s a sad reality we all must face and in the beginning of your writing career it can be very heart breaking. But, you will get rejected.  Expect it.  According to some of the greatest and most well known authors on the planet, if you’re lucky, you’ll get hundreds of rejections.

Why would getting that many rejections be good?  Because it means you’re writing consistently and getting your manuscript or article in front of editors and publishers; it means you haven’t given up, you have passion.  You will need that passion and that excitement to stay the course.  If you don’t have it now, you might as well give up on being a writer or just hang out with your blog until you do get it.

Stephen King, one of the greatest writers of all time, and whether you like his work or not, you have to admit he is the master, received hundreds of rejections and was even told to give up writing.  Did he?  Well obviously not or he wouldn’t be so well known.  If you’ve never read his book, “On Writing“, you need to.  I was under the impression (once upon a time) that writers like Stephen never had a rejection in their life.  Turns out, the greats have  had more rejections than anyone because they kept writing and sending out submissions.

Do you have the passion it will take to get those rejections?  It’s not easy and it can hurt your ego, but if you’ve got the passion to ride it out and keep at it, great things can happen.  You will go through periods that you want to quit- it’s understandable, but you’ll never get published if you quit.  Find a support group if you need to, but don’t stop working on your dream and passion.

Even if you want to strictly write online as a freelancer, don’t give up.  Sometimes a hiatus is necessary, but you need to keep writing during your down time.

What’s your tips for staying focused and keeping the passion alive through rejection?


What’s Your Point of View?

When writing we need to have a clear point of view and we must remain consistent with the point of view we’ve chosen to use.

For many writers using first person point of view comes natural and for others they find third person to be more natural.

When you write in third person you become the narrator and tell the story as it happens.  Writing in first person means that you write from your perspective as a character in the story.

Writing in first person doesn’t have to be from the main character’s perspective either.  You can write in first person as a supporting character, although writing from this perspective may have its drawbacks and be difficult.

Most readers want to hear the story from a narrator or from the main character’s point of view.

The following are some short examples of first and third person.

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Editing Checklist

Part of the writing process is editing. Most of us find this stage of writing to be the least favorite, but it is necessary to make sure we’ve done our best, find and correct mistakes, and polish up anything that’s out of place.

Today we’re going to cover a simple checklist you can use to make sure you’ve covered everything in the editing process. This checklist is by no means, set in stone, and you may have your own system.

Editing Checklist:

* Check your sentences for errors in grammar and usage.
* Are all words spelled correctly?
* Have you capitalized the correct words?
* Did you use proper punctuation?
* Are your paragraphs in order?
* Is point of view consistent?

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Trash Your Writing

I’ve been working on a post for this blog; it had a certain direction, but I’ve recently done some reading at other blogs that made me change the end scope of today’s post or ties into the end scope of this post.

Michael at DailyWritingTips.com did a post, Ruining Your Writing by Cheap Blogging.  It had some very good points in it and I’d light to highlight them before I get to my post for today.

Michael states:

What ruined my writing ability was placing money and productivity higher than integrity and honor. I told myself, “This assignment pays half of what I need to earn per hour; therefore, I will only spend half an hour on it.” In retrospect, I realized that I was gaining income, but losing self-respect. I was quickly lowering my standards to meet my financial goals, but found that I couldn’t raise them back again so easily. In essence, I was training myself to write sloppily.

Michael goes on to say:

 

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Types of Paragraphs: Introductory, Development, Transition & Concluding

Are you writing strong paragraphs or just sentence hopping along to get your point across?

Keeping a paragraph in line can be tricky sometimes as they often have an unruly mind of their own and end up somewhere other than the destination.

Today we’re going to look over basic paragraph structure. We’ve discussed Using Basic Journalism Structure to Write Great Articles  and The Order of Your Writing; Chronological, Spatial and Logical.   Now we’re going to break down the paragraph and see if we can get it under control and tight.

What is a paragraph?  What’s its purpose?  In books and other printed material it’s the section that’s indented, but in web writing we simply use white space most of the time.  Other than remembering to indent, have we given much thought lately to what makes up a paragraph?  Do they have a specific place in our writing?

A paragraph is a cluster of sentences that group single related statements/ideas together.  It sounds easy enough but all too often our paragraphs contain more than one topic; they aren’t general enough because we haven’t grouped one main idea into them.  If we’re talking about widgets and trying to give our readers some basic information about color, usability, etc.  One paragraph needs to be about the available colors and another paragraph should be about the usability or features.  These two should not be grouped into one paragraph because they are not related statements.

Now that we’ve talked about what a paragraph is lets move on to the types of paragraphs.  Knowing that paragraphs have more than one type or function can help you hone your writing skills by making sure your paragraphs are focused on the point at hand and group together single related statements.

The types of paragraphs are: introductory, development, transition and concluding.

Our article begins with the introduction, also known as the introductory paragraph.  It presents the material.  This is where we gain the readers attention and set the tone of the article.  The introductory paragraph does not go into detail, it just gives a general idea of the material and lets the reader know what areas it will cover.

After the introductory paragraph we move to the body of our article where we will have mostly development paragraphs but we could also have transition paragraphs.

The development paragraph is the one most often used in writing.  They are the basic building blocks of writing and has two jobs; they define each new stage of the article and gives the concrete details of the material.  The development paragraph usually begins with a topic sentence.  The topic sentence states what the paragraph is about.

The transition paragraph is usually short and not all articles need transition paragraphs.  They are used to emphasize change.  It’s a dividing line when you need to move from one aspect of the subject to another.  Most of the time a transition paragraph is simply one sentence.  There’s no need to go into detail about changing gears, just a simple notation to let the reader know change is coming.

The concluding paragraph is where you wrap it all up and reiterate the high points, but you do not want to create an abrupt stop here.  The concluding paragraph should bring the reader full circle.

Understanding the basic types of paragraphs and working to keep our ideas and statements grouped in single paragraphs will improve our writing and make reading our material easier. I conclude.

Write On!
Patti

The Order of Your Writing; Chronological, Spatial and Logical

In "Using Basic Journalism Structure to Write Great Articles", I discussed using a journalistic style for writing your articles.  Writing should have 3 basic parts; introduction, body and conclusion.

The introduction and conclusion can be thought of like bookends; they hold it all together.  But if you remove one of those bookends the structure of your writing falls.

The body of the article is like the books between the bookends and should be in some type of order instead of just randomly placed.

At BloggingTips I discussed chronological and spatial order. I would also like to explain more about those and add logical order to the mix.

Chronological order is the one most often used.  It uses time as a reference by detailing what happens from beginning to end.  In fiction, straight narration mainly relies on chronological order.  It makes it easier for the reader to keep up.  A few authors do tell stories and skip around in time, but only a good writer can get away with this.

Spatial order also flows naturally like chronological order but the parts are arranged in reference to space.  The information can move from right to left, east to west, front to back, etc. as long as it follows the order it starts with.  If you were to describe people standing in line at a ticket booth, you would describe them from front to back or back to front, you wouldn’t start in the middle because that would make it difficult to keep up with.

Logical order is more like an analysis.  You break the subject down into sub-headings and write about each in an order that flows naturally and logically.  In using logical order you must decide which parts are major, minor, equal or subordinate.

If you’re trying to improve your writing skills, try using a basic journalism style incorporating the use of either chronological, spatial or logical order and make sure your introduction and conclusion are as strong as the body.

Write On!
Patti

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